Vintage Simplicity
Sometimes simple
wins. Ten years ago Gregg built a few custom fuzzes in an afternoon as a
way of clearing his head, and they’ve been gathering dust on a shelf
ever since. Unearthed seven years later when we needed a fuzz to pair
with our killer UltraViolet vibe, that rediscovery became the catalyst
for the creation of our new Series A line of all-analog pedals.
Now
we’re pleased to announce the arrival of Canoga, a tweaked version of a
vintage silicon FuzzFace® based upon one of Gregg’s original three fuzz
designs. Full up it works as a fuzz or distortion, but if you back the
guitar’s volume down there’s a world of varied tones on tap for all
different styles of music.
It’s All About The Sound
Canoga
is a simple pedal to use - there’s one knob for Drive and one for
output Level - but the interaction between the guitar and Canoga’s input
is critical, as is the interaction between it and your amp. As with
many fuzz pedals, Canoga works brilliantly plugged into an amp with a
bit of hair on the tone already, similar to how Jimi Hendrix and other
guitar greats of the 60s and 70s ran their rigs.
Additional
versatility comes from the interaction between your guitar’s volume knob
and the pedal’s input. Traditionally, unbuffered fuzz pedals like to be
connected directly to your guitar, so that the circuitry can “see” your
guitar’s pickups and volume pot. Full up on both of Canoga’s pots and
your guitar volume pot gets you the full fuzz experience, and rolling
back the volume on the guitar opens up a new world of semi-clean blues,
rock, Americana and pop sounds. The rolled back sound stays clear in the
high frequencies and doesn’t get muddy, so you might find that Canoga
allows you to convincingly play riffs that you would normally employ a
distortion pedal for, not a fuzz.
SERIES A
Killer
code only sounds killer when it’s hosted inside of an ideal analog
environment, and even though we’re primarily known for our DSP prowess,
our stuff wouldn’t sound the way that it does without our strong analog
team.
The analog guys are always coming up with interesting
designs, so we’ve launched the ‘Series A’ line of pure analog pedals to
give them an outlet, and Canoga joins Fairfax as the second pedal in the
series.
The designs you’ll be seeing in ‘Series A’ are intended
to offer something different from traditional Strymon offerings, with no
MIDI, USB, firmware or digital processing. These will be pedals that
are unabashedly analog, which means it could get really interesting!
Keep an eye out for more ‘Series A’ pedals as we go forward.
Controls and Routing
- Drive - Controls the amount of distortion
- Level - Controls the output level
- Input - High impedance audio input
- Output
- Low impedance audio output 9VDC - Use a power supply or an adapter
with the following rating: 9VDC, center negative, 50mA minimum (sold
separately).
- IMPORTANT! Voltages higher than 9VDC can damage the pedal.
Features and Specs
- Tweaked version of a vintage silicon FuzzFace® style fuzz pedal
- High frequency response stays clear when the guitar’s volume is rolled back
- Wide range of gain for different styles of music
- Internal jumper sets the initial power up state, either bypassed or engaged
Specs
- 100% analog circuit
- True bypass
- Mono In/Out
- Dimensions: 4.53” deep x 2.83” wide x 2.33” tall (11.51 cm x 7.19 cm x 5.92 cm)
- Power requirements: maximum 9VDC center negative, with a minimum of 50mA of current (sold separately)
