AURORA REVERB
Turn down the lights, turn up the spectrum…
Join Keeley Electronics’ grand entrance into the hallowed halls of
psycho-acoustic processing – the Aurora Reverb. Few effects complement a
guitar better than reverb; from spring reverb coils in a tank to the
distant echo of cathedrals to 600 pound sheet-metal plate vibrations.
Reverb captures our imaginations and plunges us deeply into our musical
psyches. Reverb IS the key to the highway.
At Keeley Electronics, the Aurora Reverb had to meet certain specific
criteria. It had to be affordable with no compromise to audio quality.
It had to be easy for guitarists to use and be inspiring. And it had to
offer the essentials for tailoring your tone without a dozen knobs to
learn. Now achieved, we are proud to offer a true bypass, 100% dry
analog path, low noise, 24 bit, high-fidelity reverb processor.
AND IT SOUNDS GREAT!
In fact, when asked if it offered ‘trails’ I couldn’t help but think,
“Why would you need trails for a pedal you won’t want to turn off?”
The following controls offer everything from pristine, fast reflections to ethereal spaces to deep, dark and endless caverns.
The Toggle Switch The three most popular reverb styles that don’t come built into your amplifier are Room, Plate and Hall. In the smallest footprint possible, we offer what used to take up a recording studio room or an entire city block.
You can achieve cathedral resonance, enormous surface areas of
sheet-metal plate sounds or convincing room decays. Room sizes range
from something like a broom closet to that of a barn. (And I also want
to add that careful adjustments to the Room settings
yield a signal bordering on the verge of spring reverb, so if your amp
doesn’t already have a tank, we’ve got you covered.)
Decay Decay controls the amount of time it takes
for the reverberated sound to disappear. Ours provides a range from a
realistic, close-quarters reverberated dimension to a
“walk-away-and-come- back in a while” signal of complex, still-ringing
musical reflections.
Slapback Slapback is what we call pre-delay.
Pre-delay creates distance. How soon or late you hear the first
reflection is crucial to crafting the reverberated space. Sometimes you
do not want any delay between your note and the reverb. And sometimes,
for clarity’s sake, you want the reverb to wait a moment before joining
the dry signal. Such a setting enables short, staccato,
single-syllable type expressions to finish articulating before being
suffused AND joined by the tail-end of previously reverberated sounds.
The Slapback setting adjusts from zero to 100 milliseconds. When the illusion of infinite space is required, set your Slapback to zero and you’ll streak vividly away like Dr. David Bowman breaking free of Jupiter’s gravitational pull.
Warmth Dial up the warmth. Unlike most tone controls, ours is a dampening control and increases the warmth, as it is rolled up. Its brightest setting is when completely dialed down.
Blend Blend will take your 100% analog dry signal
and blend in the reverb, from just the slightest mix of wet to much
more. We suggest you place it at the end of your pedal chain and use the
Blend Knob to tailor your sound.
The Keeley Aurora Reverb provides the essentials guitarists are
looking for when they need reverb on their pedal boards. Like that
ethereal glow to the mighty Earth herself, Aurora creates a natural halo
of sound in the atmosphere of your magnificent core tone.