SH-13 Dimebucker Bridge
Summary
Massive metal tone dialed to the exact specs of Dimebag Darrell. Beef, crunch, edge, balls.
Description
Crunchy pick attack,
scooped mids, and just the right amount of saturation are what this
pickup is all about. Dime wanted his signature humbucker to have a thick
crunch that sags just a little when you really lay into it. Combine
that with a full, tight, low end response, a ceramic magnet, with dual
stainless steel blades, and you have the Dimebucker. Huge and straight
from the brain of the late great Darrell Abbot. In a 2004 interview
Dimebag described the tone of the Dimebucker, “Its very saturated not to
the point where its overly fuzzy but it has a smooth and crunchy
distortion tone. It will give you some extra gain, but it wont go so far
that your sound breaks up and is going crazy. You get that warm tone
with the distortion mixed in and it has the low end thats kicking you in
the butt while the top end is cutting your face off in the right way,
but not ripping your face off. If you ever listen to a Pantera record,
that’s what you’ll hear through this pickup”. Combine with a 59 Model
(bridge) in the neck position for the setup that Darrell himself used,
or get our Dimebag Set for neck and bridge. Hand built in Santa Barbara,
CA, the Dimebucker uses a ceramic bar magnet, dual stainless steel
blades, 4-conductor lead wire for multiple wiring options, and is vacuum
wax potted for squeal-free performance.
Output
- DCR:16.5
- Magnet:Ceramic
- Cable:4c Shielded
SH-1n 59 Model (4 conductor) Neck
Summary
A vintage-voiced, extremely versatile neck pickup that pairs well with most bridge humbuckers.
Description
The ’59 Model neck pickup is one of our most popular pickups
because it’s so versatile. It’s designed in the spirit of the original
P.A.F. humbuckers of the 1950s, with sweet sustain, full-sounding
chords, clear and bright attack, but we’ve made a few refinements to
slightly modernize the design and make it more adaptable to different
styles.
The ’59 has a full low end
which is great for adding character to your clean sounds and sustain to
your leads. The high end is slightly boosted for improved pick-attack
clarity and the mids are a little scooped for an open, smooth sound
that’s great for preserving the clarity of the individual notes in a
chord. Play softly and the mids and highs seem to fade back, but pick
hard and the note will be confident and clear. There isn’t a genre that
the ’59 can’t work within. It pairs nicely with a high output bridge
humbucker like the JB or Custom but is equally at home with more
moderate pickups like the ’59 bridge. And it’s a popular choice for
those with humbucker-routed Telecasters as well. And if you order a
four-conductor version for coil splitting, its single coil mode is
crystal clear.
The ’59
Model neck pickup is wound on Seymour’s Leesona 102 pickup winding
machine, the very one that was used in the Gibson factory in Kalamazoo,
MI in the 1950s. It comes standard with a long-legged nickel silver
bottom plate, vintage single conductor braided push back lead wire and
no logo.
Output
- DCR:7.6
- Magnet:Alnico 5
- Cable:4c Braided Shield